Virginia Commonwealth University, Richmond, VA 2012 - on going
Concepts I (3rd year conceptual projects) 
Larger conceptual projects, 3 per term, in response to conceptual prompts supported by readings and critiques

Digital Photography 2
Advanced Camera RAW, digital printing, bookmaking (on-demand and hand-bound). Utilizing Adobe Photoshop.

Analog Photography and Darkroom
35mm film cameras, hand-processing, and darkroom processes

Digital Filmmaking 1
Utilizing digital cameras and audio recorders to generate short films. Genre is investigated. Focus is on camera, lensing, and supports. Utilizing Adobe Premiere.

Digital Filmmaking 2 (sound: traditional to experimental)
Utilizing a range of microphones and audio recorders in a filmmaking workflow. Building audio-focused conceptual artworks, experimental sound art, and sound art installations. Utilizing Adobe Audition.

Sound and Color* (replaced Digital Filmmaking 2)
Term split into focus on Sound and focus on Color in filmmaking. Sound segment is hands-on utilizing all kinds of microphones and audio recorders, best practices, Adobe Audition. Color segment is focused on utilizing recording in different color spaces - log, rec 709, and RAW workflows with Davinci Resolve.

Lighting for Cinema and Video*
Hands on with cinema lights- hot lights, fluorescents, LED panels and COB, modifiers, gels, gobos, stands and rigging, hand-building dimmers, and power cord management. Each week is structured as a mini-production, with students rotating through department roles: producer, DP, Sound, AC, AD, Director, Grip, Gaffer, PA...

Advanced Film Production (traditional cinema style production) 
Plan and execute a term-long short film, structured as a classic cinema shoot, with students assigned department roles: producer, DP, Sound Recordist, AC, AD, Director, Grip, Gaffer, PA…

Moving Pixels* (Intermediate level time-based media) [replaced Digital Filmmaking 1]
Utilizing video and audio recorders for filmmaking, experimental video and sound works, and conceptual projects. Utilizing Adobe Premiere.

Time Studio (Foundation level time-based media)
Foundation-level introduction to digital filmmaking, experimental sound, performance for the lens, and live performance art. Introduction to Adobe Premiere and Audition.

Filmmaking for Non-Majors* (online)
Digital documentary and conceptual filmmaking with an emphasis on accessible workflows and DIY solutions. Introduction to Adobe Premiere.

Face The Future: AI Image Making* (online)
Utilizing AI image generators to address a number of creative, conceptual, and commercial applications and discussing the ethical Implications of these systems.

Western Washington University, WA 2010 - on-going
Sound & Motion - Experimental Filmmaking*
Experimental sound and filmmaking, including Super 8mm and 16mm filmmaking, and installation art strategies for physical film and projectors.

Super 8mm Filmmaking and the Neo-Retro*
Super 8mm filmmaking, hand editing, digital post-processes, conceptual considerations.

Black and White Photography
35mm film cameras, hand-processing, and darkroom processes

Lighting in Photography, co-taught with Garth Amundsen
Lighting for photography, natural light, practical lighting, flash, portable and studio strobe use

Beginning Digital Photography & The Image Culture (online)*
Digital photography and contemporary conceptual considerations

University of Virginia, Charlottesville, VA 2015 - 2020
Intro to New Media 1
Digital still and video capture for digital workflows, basic frame-by-frame animation, basic sound recording. Performance for the lens and live performance. Intro to Adobe Photoshop and Premiere.

Intro to New Media 2
Digital audio recording, utilizing a range of microphones and audio recorders. Installation art  considerations for works focused on digital mediums. Utilizing Adobe Premiere, After Effects, and Audition.

Intermediate New Media 1
Larger conceptual projects, 3 or 4 per term, in response to conceptual prompts supported by readings and critiques.

Intermediate New Media 2
Larger conceptual projects, 2 per term, developed with the student in preparation for their senior term thesis. Artist Statement development.

University of Richmond, Richmond VA 2017 - 2020

Foundations in Visual and Media Arts Practice (Photography)
1/3 term intensive with darkroom photography - photograms and pinhole cameras.

Foundations in Visual and Media Arts Practice (Film)
1/3 term intensive generating experimental video and sound works. Introduction to Adobe Premiere and Audition.

Introduction to Photography
35mm film cameras, hand-processing, and darkroom processes

Introduction to Film, Sound, and Video
Digital filmmaking, experimental video and sound works, performance for the lens. Utilzing a range of digital video cameras- mirrorless, cinema, actioncams- microphones and audio recorders. Utilizing Adobe Premiere and Audition.

Photography Media Studio
Advanced photo digital ingest- film scanners, ultra high-res copystand capture, and output workflows, large format printing. Studio and portable strobe use. 

Advanced Studio Practice
Larger conceptual projects, 1 or 2 per term, developed with the student for their senior term thesis. Artist Statement development.

Super 8mm Filmmaking Workshops*
Super 8mm filmmaking workshops are 2-day workshops. Day 1 is an overview of the medium, cameras, and film.
Day 2 is hand-processing and watching the films.
- Super 8mm Workshops, Studio 23, Richmond, VA 2012- 2018
- ArtWorks Gallery, James Madison University, Harrisonburg, VA 2013
- Filmmaking Workshop, Saint Anne Belfield, Charlottesville, VA 2014 -2016
- Film and Representation, with Cathleen Rhodes, Old Dominion University, Norfolk, VA 2014

*Courses that I designed and introduced, or was asked to significantly redesign.